{"id":16142,"date":"2022-01-27T10:30:19","date_gmt":"2022-01-27T09:30:19","guid":{"rendered":"https:\/\/one.listonegiordano.com\/casa-dritta-curva-architetto-bombace\/"},"modified":"2022-02-01T12:01:43","modified_gmt":"2022-02-01T11:01:43","slug":"straight-curved-house-architecture-bombace","status":"publish","type":"post","link":"https:\/\/www.listonegiordano.com\/one\/en\/architecture\/straight-curved-house-architecture-bombace\/","title":{"rendered":"Straight\/Curved house is the challenge undertaken by Filippo Bombace"},"content":{"rendered":"\n

Interior design project by Filippo Bombace architetcure firm<\/h2>\n\n\n\n

A residential building typical of the 1970s – marked by appreciable decorative flair in the facade – houses architect Filippo Bombace<\/strong>\u2019s renovation project. An airy apartment located in a quiet residential area of the capital, it has been entirely remodeled to provide a new housing solution for a couple with children. The interior design project cannot fail to take inspiration from, and intertwine with, the terraces\u2019 wavy lines, which are such a feature of the building\u2019s dynamic exterior.<\/p>\n\n\n\n

What does renovating a 1970s\u2019 building mean today?<\/strong> Certainly a great deal of work on multiple intervention levels, beginning with interiors needing a clean, open layout. It should be highlighted that buildings dating back to the sixties and seventies were the result of that famous “building and economic boom” which, in many cases, culminated in grim speculation and bad practices, not least the use of low-quality, at times even harmful, materials. On the other hand “good” architecture does exist and in this case it’s a project worth taking on if you are looking to add value and scale it up. <\/p>\n\n\n\n

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This Studio Bombace <\/strong>project focuses on sensitive, integrated refurbishment to make it a 21st century dwelling in tune with the most recent building regulations. Geometry is the design\u2019s watchword with a simple, albeit effective, sequence of straight lines, a semicircle and a quarter circle being the cornerstone of the work, with interior walls and all other decor elements designed to be coherent with its external spaces.<\/strong><\/p>\n\n\n\n

The architect founded the building\u2019s overall layout and floor plan on this geometric principle, before setting to work on the enjoyable process of choosing the materials and colors with his clients. This culminated in several versions before an approach substantially based on the use of oak with an interplay of contrasting elements like white walls was agreed on<\/strong>. Calacatta marble inserts supplemented this dualism, in response to the need for more suitable, durable materials for specific application in certain areas of the house.<\/p>\n\n\n\n

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The definitive version therefore consists of living spaces punctuated by light and functional oak partition walls<\/strong>, triggering a pleasant see-through effect for the entrance, the distribution spaces, the kitchen area and the study. Most of the wardrobes and furniture are, once again, crafted in oak, as is the stave paneling lining the entire long wall bordering the corridor that runs along the living area. The master suite, characterized by a wardrobe in the middle of the room that acts as a headboard, allows direct access to the bathroom via a sliding panel that first reveals a free-standing bathtub, then a large shower compartment, a double sink and, finally, a separate toilet area.<\/p>\n\n\n\n

The children’s bedrooms and bathrooms are set out according to this same design philosophy, with colors perfectly attuned to their ages. The architect has revealed an invisible detail: “In this way the house\u2019s young daughter also has a pretty hiding place behind the large retractable textile wall that encloses her wardrobe, in tune with the house\u2019s dual straight-curved geometries”.
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